Bio

Alessandra Giuntini

Alessandra Giuntini is a theatre director, actress, acting coach and opera assistant director working between theatre, opera and socially engaged performance.She graduated in Acting and Directing (2011) from the Saint Petersburg State Theatre Arts Academy, studying with Venyamin Filshtinsky and within the tradition of the Russian theatre school. A decisive influence on her artistic vision has been the encounter with Lev Dodin and the pedagogical legacy of the Maly Drama Theatre, which shaped her approach to ensemble work, long-term process and theatre as an ethical and human practice. She also trained internationally, including the SITI Company Intensive in New York with Anne Bogart (Suzuki Method and Viewpoints).

Directing works

2024:

” Monters and labyrinth” Performance with the young offenders at the Florence Juvenile Institute.

2022:

” Prostadursen” inspired by the novel ” Prostadursen, winter from the beginning to the end “, dramaturg Polina Borodina, VENE TEATR, Tallinn, Estonia.

” Turandot³” inspired dy “Turandot” Carlo Gozzi, Njagan, Russia.

2021:

” Lion in the winter” James Goldman, Russian state theatre, Uljanovsk, Russia.

” La Locandiera” Carlo Goldoni, Russian drama theatre, Ijevsk, Republic of Udmurt.

” Exodus ” Polina Borodina, Sarapul, Russia.

” Testimony of testimony ” Dmitri Danilov, Novokuznesk Drama theatre, Russia.

2020:

” #I’MANTIGONE ” Evgenia Shevchenko inspired by ” Antigone” Sofocle, Njagan, Russia.

” Life is Beautiful ” N. Erdman, Masterovie theatre, Nabarejnie Chelny, Republic of Tatarstan.

” The marriage of Figaro”   Pierre-Augustin Caron de Beaumarchais, Russian drama theatre, Una, Republic of Bashkorkostan.

” No woman, no cry ” Documentary performance about domestic violence, Invisible Theatre, Sankt Petersburg, Russia.

2019:

” One shot Trepliev” inspired by ” the seagull ” Anton Chekov, Russian drama theatre, Kurgan, Russia.

” Deli’s dance” Ivan Vyrepaev, Masterivie theatre, Nabarejnie Chelny, Republic of Tatarstan.

” Go in peace” EcoPerformance by IGC ( Intervention Garbage Company), Elzin Center, Ekateringburg Russia.

” Le Gardenie” family constellation on stage,  for Premio di Riccione, Italy.

” God rides a bicycle” Russian drama theater, Bugulma, Republic of Tatarstan.

2018:

” Travel-in-drama” adapted from” Little tragedies” A. Pushkin, State drama theatre, Kemerovo, Russia 

” Gardenia” Elżbieta Chowaniec, Volkov theatre, state Russian theatre, Yaroslavl.

2017:

“ My Psyche” Apuelio, Theatre on the Roof, Krasnoyarsk, Russia

” The singles” H. Levin, Notara theatre, Bucarest, Romania.

” The Confession” M. Gorky, Moscow art theatre, Russia.

” Children of children” initiative of festival ” I’m not alone”, Moscow art theatre, Russia.

” Blizzard” A. Pushkin, Pushkin drama theatre, Pskov, Russia.

” Shasa, take out the trash” N. Vorogbit, Invisible theatre, Sankt Petersburg, Russia.

2016:

“ Bashmachkin” Y. Bogoslavskij, North Dramma Norilsk, Russia

“The Shrew” (based on the play by W.Shakespeare “The Taming of the Shrew”), state theatre of Kurgan, Russia

“ The coffè Shop” C. Goldoni, state theatre of Kemerovo, Russia

“ Green Bird” C. Gozzi, Theatre of Youth, Krasnoyarsk, Russia

2015:

“ Mamma Roma” P.P. Pasolini, state theatre of Omsk, Russia

“ The Road” F. Fellini, Theatre of Youth, Krasnoyarsk, Russia

“ Our Class” T. Slobodyanin, State Theatre of Kemerovo, Russia

“ Blue Room” D. Hayr, Szena Molot, Perm, Russia

“ Yat” K. Fedorov, Alexandrnkij Theatre, St. Petersburg, Russia

2014:

“ Light at the end ” S. Skologub, state theatre of Omsk, Russia

“ Tiramisù” O. Ovsyanko, Theatre of youth, Rostov on Don, Russia

“ Beautiful away” D. Prevalov, MDT Novoshahtinsk, Russia

2013:

“Nature Morte in the pit” By Fausto Paravidino, Etud-Theatre St.Petersburg , Russia

“ Love letters” A. R. Gurney, State theatre of Magadan, Russia

In Russia she co-founded the independent company “Невидимый театр” (The Invisible Theatre), conceived as a laboratory for contemporary dramaturgy and new scenic languages. With the company she developed original productions and reinterpretations of classical and modern texts, combining artistic research with a strong social focus.

Alongside her artistic work, she carried out long-term social theatre projects with orphans and vulnerable adolescents in Russia, using theatre as a tool for empowerment and community building. This experience deeply informed her vision of theatre as a place of reflection, care and social commitment.

She has directed and taught in Russia, Estonia, Romania and Italy, staging works ranging from Antigone and Turandot to contemporary and documentary theatre projects such as No Woman, No Cry.

As an actress, she performed in the Russian version of Luna Park (based on the original production by Daniele Finzi Pasca) and appeared in films such as Dovlatov (dir. Alexey German Jr.).

In recent years she has worked as an assistant director in opera, collaborating with major institutions including the Salzburg Festival and the Teatro del Maggio Musicale Fiorentino.

Currently based in Italy, she continues to develop interdisciplinary projects that connect performance, education and social engagement.

Acting:

2021

Luna Park” idea by Daniele Finzi Pasca, in collaboration with “ Cosmo probuction”, Sankt-Petersburg, Russia.

2018

The shoop “ based on a real story of modern slavery, director Semen Serzin, Invisible theatre, Sankt-Petersburg, Russia.

2015

Two poor romanians speaking polish” Dorota Maslovskaya, director Evgenia Sofonova, Etyud theatre, Sankt-Petersburg, Russia.

Don’t lean” physical theater performans, based on stories that go on the subway every day, choreographer Anna Zakusova, Sankt-Petersburg, Russia.

2014

Demons” Natalya Vorojbit, director Semen Serzin, Etyud theatre, Sankt-Petersburg, Russia.

Happines” physical theater performans,based on a teenager’s diary, choreographer Anna Zakusova, Sankt-Petersburg, Russia.

2013

Beautiful far away” D. Privalov, Etyud theatre, Sankt-Spetersburg, Russia.